Restraint

Tragedy (For Us): California Dreamin

Das Bunker, Los Angeles. Some kind of crazy rivethead mecca, the likes of which I thought were all but extinct.

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We rolled into LA in the early afternoon, and spent a few hours decompressing at Rev John’s, where we were joined both by his lovable italian greyhounds, and by the darling Audra Williams, who flew out to join us on the road for a week.

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John’s hospitality was above and beyond. We all walked away happy, fed, and with a lot of Das Bunker merch. Plus, the show was killer. The place was packed, people were cheering, and it took a full five minutes to make it from the stage to the merch booth after my set was over. Yann, of course, fucked shit up old-school.

A quick jaunt to San Francisco later, we were at the Retox Lounge.

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We were worried about this show, as SF crowds are fickle and cruel creatures; but it was a smash success. Nearly everyone there told us “I don’t normally come out to this venue, but…”, and the dancefloor was moving all night.

We spent a few days off in SF (graciously hosted by Coolio and Sharon) where Scott and Yann got to relax, and Audra and I got to explore the city.

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SF is one of those places that reminds me just how small Ottawa really is. Places like 826 Valencia could never survive at home, and institutions like City Lights would never have been able to do what they did. There aren’t enough people, there isn’t any support from the city itself, and it’s nearly impossible to build sustained support for any kind of artistic enterprise.

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But I digress.

We left California for Portland, which – if i may sound like an asshole – I had no idea was so cool. Austin is the only other city in the states where I’ve seen so many amazing, indie businesses and arts/crafts.

We played at The Fez Ballroom, which is a beautiful concert hall. After a dozen converted gallery spaces and cramped clubs, it was a breath of fresh air. Scott’s opening set had people cheering from the middle of the first song on, and while it was a great show for all three of us, he kicked the shit out of Yann and I both in crowd reaction and merch sales, which is pretty awesome.

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(We also got to check out Derek’s store before we left. Verdict: Fantastic, not enough Ad·ver·sary.)

Seattle was next, where we were hosted by the lovely Jeri, who was gracious and generous, and made sure everything we needed was taken care of.

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The show itself was quiet, but a good time. We had the next day off, and Audra and I took a ferry over to Vachon where we spent a night at her friend Heather’s idyllic country home. Hot tubs make for great stress relievers after two weeks in a car, incidentally.

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One surprisingly painless border crossing later, and we were in Vancouver for the Zombie A-Go-Go. There was a line outside the door when doors opened, and by the time I was on stage the club was packed full of (remarkably well-costumed) zombies. Zombie cops, zombie flapper girls, zombie gangsters, zombie groupies, zombie fairies (what?), zombie movie stars. Zombies zombies zombies.

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Everyone was a bit worried that the crowd wasn’t going to dig the music, since so many of the people were at the club as part of the zombie walk, but it was easily one of the most enthusiastic dancefloors of the entire tour to date.

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We grabbed a quick bite to eat after the doors closed, and then it was right back in the car to make it to Edmonton for the next show. The crowd there was small, but seemed to be comprised entirely of electronic musicians who were all listening, if you know what I mean.

Audra left back to Ottawa the next morning, and after a long and emotionally numbing day at the West Edmonton Mall, we got in the car at 5am to head off to Winnipeg for yesterday’s show.

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Stay tuned!

Tragedy (For Us): Going Down

DC.

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Baltimore was fantastic. Soundcheck was a total clusterfuck, but after we got everything working, it kept working well. They had a four-projector video wall and some very talented VJs who worked very hard to make us look like we were a nightclub from the future.

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Worms of The Earth opened, which was great. Last time I saw him play was a year or two ago in Quebec City, and while I don’t remember a shirtless finale then, it worked well for Baltimore. The club was packed by the time we went on stage, and it was a killer show. The best of the tour so far, for sure.

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Next: New Orleans.

I had thought I was prepared for what the city was going to look like. Not at all. I don’t know what it looked like right after Katrina, but it’s still a disaster zone today. Families living on traffic medians, block after block looking like it has been bombed out. We were only there for an evening, but the city broke my heart.

The show itself took place in a house turned fucked-up voodoo house turned art gallery turned concert venue. The owner drove a white hearse covered in skulls and marked front-to-back with sigils. There were altars in every corner of every room, bones and offerings to appease or antagonize the loas, and a couple nine year old kids running around playing hide and seek.

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The sound system they had was completely unprepared for the kind of horrible noises we wanted to make, but they picked up a new system and brought it in for us within an hour or two, and then we were ready to roll.

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After leaving NOLA, we spent two nights driving through Texas, with pit stops in Austin and El Paso. We made a pilgrimage to The Jackalope, ate some amazing Mexican food, but with over ten hours of driving a day, there wasn’t much room for sight seeing.

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We arrived in Arizona yesterday. I have never, ever felt heat like the heat here. It was 46c when we arrived in Phoenix that afternoon, and it was 43c when we got back to the hotel that night after the show.

Yann and Scott were both loopy and twitchy from the heat, but I’d love to spend an entire summer down here.

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The club we played at had an incredible system, but we were competing with Rasputina down the street (and, elsewhere, Weird Al!) and the attendance was the lowest on the tour so far. The people that were there were enthusiastic, though. I’d rather have a dozen people watching and cheering than two dozen talking over the music. I’m looking at you, Boston.

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Yesterday was Los Angeles. Stay Tuned!

Tragedy (For Me) – First in a Series

Tour Diary, day negative three. We play our first show in Montreal on Friday. Paperwork is in hand, merch is being shipped to Boston for us to collect on our 3rd show (sorry, Montreal and Quebec City), and aside from feeling like hell from fighting off a flu, everything’s great.

I’ve got a kickass new live rig:

…and some amazing designs for all my merch (courtesy of graphic designer extraordinaire Robert Nixon):

Lace up your combats and order your earplugs, we’re just about ready to roll.

I love my job (first in a series)

This is a list of near-mint records that my boss just gave me:

  • Bauhaus – Bela Lugosi’s Dead (!), 1979-1983, The Sky’s Gone Out
  • Blondie – Autoamerican
  • Gang of Four – Entertainment!, I Love A Man in a Uniform, Solid Gold, The Yellow EP
  • Joy Division – Atmosphere, Closer, Substance
  • Love and Rockets – Ball of Confusion, Express, Love and Rockets, Seventh Dream of Teenage Heaven
  • Minor Threat – Out of Step
  • Mojo Nixon & Skid Roper – Root Hog Or Die
  • New Order – State of the Nation, Subculture, Substance, Technique, The Perfect Kiss
  • Pere Ubu – The Tenement Year
  • Public Image Ltd. – Album
  • Simple Minds – Sister Feelings Call
  • Siouxsie and The Banshees – Cities in Dust
  • Skids – Days in Europa
  • Squeeze – Babylon and on
  • Talk Talk – It’s My Life
  • Talking Heads – Wild Wild Life
  • The B-52s – The B-52s
  • The Cure – Boys Don’t Cry, Concert (Live), Standing on a Beach
  • The Jesus and Mary Chain – Automatic, Darklands
  • The March Violets – Walk Into The Sun
  • The Mission – Carved in sand
  • The Screaming Blue Messiahs – Gun-Shy
  • The Sugar Cubes – Life’s Too Good
  • NME C86

(They were sitting in a milk crate on my chair when I got in this morning!)

Badass of the Month (First in a series)

On this first day of the Octomonth (birthstone: opal; flower: calendula), I would like to introduce you to Hedy Lamarr, the first (of many) BADASS OF THE MONTH(s):

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“Any girl can be glamorous. All she has to do is stand still and look stupid.”

Hedy was a successful actress as a young teenager, but her big breaththrough came in the controversial Bohemian (as in, from Bohemia) film, Ecstasy. It was 1933, and people were excited and outraged about a skinny dipping scene; the most outstanding thing about this movie, however, is that it was the first studio film to have a sex scene in it — and the first to depict a female orgasm.

The movie is special not just for its prurient content (and it should be said, the camera never leaves the actors’ faces when things get heavy), but for being an powerful study of a young woman’s sexual empowerment. It was released a year before the Hays Code crackdown began, and so there’s no moral play at work. No virgin/whore complex to feed, no pretense that women live identically sexless lives, who only acquiesce to their husbands after shopping trips (while thinking about their kitchen duties the entire time).

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After Ecstasy’s release, Hedy married an controlling Austro-fascist arms manufacturer thirty years her senior who forbade her from making movies. He would take her with him to his business meetings (where military technology and highly technical problems were debated), and force her to entertain at his parties (which Mussolini often attended).

In 1937, after having enough of his crap (and after being forced by her husband to sleep with Hitler to get an arms contract), Hedy dressed up for a ‘party’, drugged her husband, and left Austria (with all of her magnificently expensive jewelry).

Over the next 10 years she made close to twenty films, had two children, and developed a backstage reputation as a voracious bisexual (second only to her sometimes-lover, Marlon Brando). In her time, she was reportedly involved with Frank Sinatra, Clark Gable, Jimmy Stewart, Johnny Carson, Howard Huges, Errol Flynn, JFK, and even Charlie Chaplin.

“I don’t think that anyone would call me a lesbian, it’s just that I seem to be the type that other women get queer ideas about.”

More importantly, however, she also did this.

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That is the design drawing for her 1942 invention of Frequency Hopping Spread Spectrum communication, upon which all WiFi, CDMA cell networks, and countless other technologies rely. It went like this: Radio controlled torpedoes are more accurate than ‘dumb’ torpedoes, but it’s easy to jam the frequency that the torpedo control channel is on. By rapidly changing the frequency that the control channel was transmitted on, you prevent the adversary from jamming your signals.

Working with experimental composer George Anthiel (who once composed a symphony that required 16 player pianos), she placed a modified piano roll in the torpedo and the controller plane, allowing them to switch frequencies in sync with each other. Unfortunately, it was nearly two decades later before her the importance and potential of her invention was realized. The Navy of the time did not take seriously a device invented by a woman that ran on musical equipment, and suggested to Hedy that she could best support the war effort elsewhere. She did, once raising $7,000,000 in a single event where she sold kisses for fifty grand each. (When honored by the EFF in 1997 for her contribution of spread spectrum technology, she was quoted as saying “It’s about time.”)

Her later years were noteworthy for her lavish parties, five husbands, two shoplifting arrests, a star on Hollywood’s walk of fame, and a Boeing recruitment ad featuring her as a woman of science, with no mention of her film career.

So, here’s to you, Hedy Lamarr. You kicked ass, you took names, you did what you wanted, who you wanted, when you wanted, and you changed the world.

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“Jack Kennedy always said to me, Hedy, get involved. That’s the secret of life. Try everything. Join everything. Meet everybody. “

Things wrong with America’s criminal justice system: Second in a series.

Today’s subject: Joe Arpaio!

If you’re lucky enough not to live in AZ, you might not know about Joe Arpaio. He’s the Maricopa County Sheriff signed a promise to serve only one term when he was elected in 1992. He’s still the Sheriff. When it comes to drug warriors, this guy doesn’t mess around. He’s got a self-propelled howitzer with “Sheriff Arpaio’s War on Drugs” painted on it, with some tasteful lightning bolts added for effect.

From a New Yorker profile of Sheriff Joe (pdf):

Arpaio ordered small, heavily publicized deprivations. He banned cigarettes from his jails. Skin magazines. Movies. Coffee. Hot lunches. Salt and pepper–Arpaio estimated that he saved taxpayers thirty thousand dollars a year by removing salt and pepper. Meals were cut to two a day, and Arpaio got the cost down, he says, to thirty cents per meal. “It costs more to feed dogs than it does the inmates,” he told me. Jail, Arpaio likes to say, is not a spa– it’s punishment. He wants inmated whose keenest wish is never to get locked up again. He limits their television, he told me, to the Weather Channel, C-Span, and, just to aggravate their hunger, the Food Network. For a while, he showed them Newt Gingrich speeches. “They hated him,” he said cheerfully. Why the Weather Channel, a British reporter once asked. “So these morons will know how hot it’s going to be while they are working on my chain gangs.”

Arpaio wasn’t kidding about chain gangs. Foreign television reporters couldn’t get enough footage of his inmates shuffling through the desert. New ideas for the humiliation of people in custody–whom the Sheriff calls, with pervasive disgust, “criminals,” although most are actually awaiting trial, not convicted of any crime–kept occurring to him. He put his inmates in black-and-white striped uniforms. The shock value of these retro prisoner outifts was powerful and complex. There was comedy, nostalgia, dehumanization, even a whiff of something annihilationist. He created female chain gangs, “the first in the history of the world,” and, eventualy, juvenile chain gangs.

Joe Arpaio is directly and personally responsible for stillbirths and miscarriages; and the deaths, brain damage, and severe injuries of newborn babies. Women who go into labor while in his jail aren’t allowed to hold or even see their babies after they’re born, even the ones who survive.

Arpaio has a reality show on Fox called “Smile You’re Under Arrest.” The premise of the show is to use big-breasted women and promises of a $300 prize to get people with nonviolent warrants to show up at a nightclub taken over by Joe for this purpose, and filled with paid actors and undercover cops (all at county expense). Then they have to participate- on national television- in either a fashion show or a dancing contest. Joe hides behind a curtain or under a covered table during all this; and after the fashion show or dancing contest is over, he jumps out and arrests them. Meanwhile over 40,000 felony warrants, many of them for rape or murder, go unserved and the homicide rate has jumped 167%. I’m not making this shit up.

( Much, much more, behind the cut… )

Arpaio's War on Drugs

(Most of this post is courtesy of SA’s HidingFromGoro. )

Things I have been enjoying lately: Second in a series.

Left 4 Dead.

This just might be the best co-op game I’ve ever played. 4 players versus insane zombies, running from building to building, fucking shit up proper. From the Shacknews Review:

It’s actually very easy to quantify just how replayable Left 4 Dead is, in the same way that one can identify an infectious disease.

Because that’s what playing Left 4 Dead for the first time feels like–the beginning of a terrible affliction. We played the game for two straight days at Valve, only occasionally surfacing for a gasp of fresh snacks. We played so much Left 4 Dead that it made us all physically ill. We came home thoroughly infected, bed-ridden and moaning like the undead.

And the most common phrase going around our chat channel? “I wish I could play more right now.”

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It really is that much fun.

If anyone needs me, I’ll be on Xbox Live.

Things I Need: Nth in a Series


Zombie Lawn Sculpture

Things I found on Flickr, first in a series.

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Things I am really good at: First in a series.

NOMNOMNOM

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