Restraint

Tragedy (For Us): California Dreamin

Das Bunker, Los Angeles. Some kind of crazy rivethead mecca, the likes of which I thought were all but extinct.

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We rolled into LA in the early afternoon, and spent a few hours decompressing at Rev John’s, where we were joined both by his lovable italian greyhounds, and by the darling Audra Williams, who flew out to join us on the road for a week.

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John’s hospitality was above and beyond. We all walked away happy, fed, and with a lot of Das Bunker merch. Plus, the show was killer. The place was packed, people were cheering, and it took a full five minutes to make it from the stage to the merch booth after my set was over. Yann, of course, fucked shit up old-school.

A quick jaunt to San Francisco later, we were at the Retox Lounge.

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We were worried about this show, as SF crowds are fickle and cruel creatures; but it was a smash success. Nearly everyone there told us “I don’t normally come out to this venue, but…”, and the dancefloor was moving all night.

We spent a few days off in SF (graciously hosted by Coolio and Sharon) where Scott and Yann got to relax, and Audra and I got to explore the city.

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SF is one of those places that reminds me just how small Ottawa really is. Places like 826 Valencia could never survive at home, and institutions like City Lights would never have been able to do what they did. There aren’t enough people, there isn’t any support from the city itself, and it’s nearly impossible to build sustained support for any kind of artistic enterprise.

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But I digress.

We left California for Portland, which – if i may sound like an asshole – I had no idea was so cool. Austin is the only other city in the states where I’ve seen so many amazing, indie businesses and arts/crafts.

We played at The Fez Ballroom, which is a beautiful concert hall. After a dozen converted gallery spaces and cramped clubs, it was a breath of fresh air. Scott’s opening set had people cheering from the middle of the first song on, and while it was a great show for all three of us, he kicked the shit out of Yann and I both in crowd reaction and merch sales, which is pretty awesome.

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(We also got to check out Derek’s store before we left. Verdict: Fantastic, not enough Ad·ver·sary.)

Seattle was next, where we were hosted by the lovely Jeri, who was gracious and generous, and made sure everything we needed was taken care of.

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The show itself was quiet, but a good time. We had the next day off, and Audra and I took a ferry over to Vachon where we spent a night at her friend Heather’s idyllic country home. Hot tubs make for great stress relievers after two weeks in a car, incidentally.

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One surprisingly painless border crossing later, and we were in Vancouver for the Zombie A-Go-Go. There was a line outside the door when doors opened, and by the time I was on stage the club was packed full of (remarkably well-costumed) zombies. Zombie cops, zombie flapper girls, zombie gangsters, zombie groupies, zombie fairies (what?), zombie movie stars. Zombies zombies zombies.

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Everyone was a bit worried that the crowd wasn’t going to dig the music, since so many of the people were at the club as part of the zombie walk, but it was easily one of the most enthusiastic dancefloors of the entire tour to date.

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We grabbed a quick bite to eat after the doors closed, and then it was right back in the car to make it to Edmonton for the next show. The crowd there was small, but seemed to be comprised entirely of electronic musicians who were all listening, if you know what I mean.

Audra left back to Ottawa the next morning, and after a long and emotionally numbing day at the West Edmonton Mall, we got in the car at 5am to head off to Winnipeg for yesterday’s show.

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Stay tuned!

Tragedy (For Us): Going Down

DC.

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Baltimore was fantastic. Soundcheck was a total clusterfuck, but after we got everything working, it kept working well. They had a four-projector video wall and some very talented VJs who worked very hard to make us look like we were a nightclub from the future.

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Worms of The Earth opened, which was great. Last time I saw him play was a year or two ago in Quebec City, and while I don’t remember a shirtless finale then, it worked well for Baltimore. The club was packed by the time we went on stage, and it was a killer show. The best of the tour so far, for sure.

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Next: New Orleans.

I had thought I was prepared for what the city was going to look like. Not at all. I don’t know what it looked like right after Katrina, but it’s still a disaster zone today. Families living on traffic medians, block after block looking like it has been bombed out. We were only there for an evening, but the city broke my heart.

The show itself took place in a house turned fucked-up voodoo house turned art gallery turned concert venue. The owner drove a white hearse covered in skulls and marked front-to-back with sigils. There were altars in every corner of every room, bones and offerings to appease or antagonize the loas, and a couple nine year old kids running around playing hide and seek.

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The sound system they had was completely unprepared for the kind of horrible noises we wanted to make, but they picked up a new system and brought it in for us within an hour or two, and then we were ready to roll.

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After leaving NOLA, we spent two nights driving through Texas, with pit stops in Austin and El Paso. We made a pilgrimage to The Jackalope, ate some amazing Mexican food, but with over ten hours of driving a day, there wasn’t much room for sight seeing.

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We arrived in Arizona yesterday. I have never, ever felt heat like the heat here. It was 46c when we arrived in Phoenix that afternoon, and it was 43c when we got back to the hotel that night after the show.

Yann and Scott were both loopy and twitchy from the heat, but I’d love to spend an entire summer down here.

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The club we played at had an incredible system, but we were competing with Rasputina down the street (and, elsewhere, Weird Al!) and the attendance was the lowest on the tour so far. The people that were there were enthusiastic, though. I’d rather have a dozen people watching and cheering than two dozen talking over the music. I’m looking at you, Boston.

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Yesterday was Los Angeles. Stay Tuned!

Tragedy (For Me) – First in a Series

Tour Diary, day negative three. We play our first show in Montreal on Friday. Paperwork is in hand, merch is being shipped to Boston for us to collect on our 3rd show (sorry, Montreal and Quebec City), and aside from feeling like hell from fighting off a flu, everything’s great.

I’ve got a kickass new live rig:

…and some amazing designs for all my merch (courtesy of graphic designer extraordinaire Robert Nixon):

Lace up your combats and order your earplugs, we’re just about ready to roll.

10 * 365.25

Ten years ago today, I waited outside HMV for it to open in the morning so I could pick up a copy of The Fragile at the very moment it was released.

Ten years later, I’m cursing ebay regularly trying to find a non-bootleg vinyl copy for less than $100.

This lot is what dreams are made of.

We’ll all float on, ok?

From a new Genesis P-Orridge interview:

Just recently some young students moved in to the apartment downstairs from us, so we went down and said “Hi welcome, we’re your neighbors,” and they gave us a cocktail because we’re all sitting there trying to make friends, and one of them said, of course, “What do you do?” So we said rather shyly, “well we kinda make music, do some art and stuff.” And one of the guys goes, “Oh what kinda music man?” And we said, “well the first band that we were in played music and we called it Industrial Music.” And he looks at me and he goes, “Yeah!” and he pulls up his T-shirt and he’s got a big Nine Inch Nails tattoo on his arm, and we went, “well, not really like that.” (laughs) And he went, “what do you mean?” “Well it was quite a few years before they were Nine Inch Nails.” and he went, “What? What do you mean? I thought Nine Inch Nails was Industrial” and so we thought, it’s not worth trying to explain this, and then the girl said, “Oh like Modest Mouse!”

its funny because its true

ROCK/POP

This is what HMV looks like in Vancouver.

one more time for the masses

Thanks to everyone who came out last night — musically, that was one of the best shows I’ve ever attended, let alone had the opportunity to play at, or promote. Everyone who played put on an incredible performance.

Acumen played the best cover of Bela Lugosi’s Dead that I’ve ever heard — DJ? Acucrack did live remixes of Ministry, Skinny Puppy, Nitzer Ebb and The Prodigy — and Ahnüsse made a surprise appearance to perform Aut Haus, which has been a hit at the club for a few months. Matt brought some Grandmaster Flash to the show, and DJ Hip-Hop rocked the fuck out with some of the dirtiest darkest drum-n-bass I’ve heard in a very, very long time. So to the people there, thank you all very much. Acumen have been trying to come to Ottawa for years, and you did not disappoint them.

With that said, the crowd was much, much smaller in number than we were hoping (or fearing) it would be, and financially the show was a complete disaster of size to rival the FLA cancellation.

After this, we’re almost certainly going to be taking a step back in how we’re doing shows. I don’t want to do them as often as we’re doing them, and I don’t want to do bands as big as we’ve been doing. (I don’t see us continuing to pursue the Skinny Puppy date for their next tour.) I think instead, we’re going to take some time to focus on Tuesdays, get some of the music we’re playing into local record stores, try and build the crowd earlier in the evening (which is something we’re having trouble planning given how many house acts Zaphods has been booking lately).

It was an incredible show, but I’m physically, mentally and financially drained from last night (as is Leslie), and I do not have the emotional or fiscal stamina to invest so heavily when we’ve been asked for years to bring bands to town, and they end up playing to a crowd of 30 people.

Tour Diary, Day -4

Today, much like yesterday, was full of chaos. I’m managing this tour now, it seems, so I’m trying to get all the shit in order. Madness.

We tried to break the stress by taking a trip to IHOP to partake of their delicious iced tea, which is unlimited and flows like a river.

You iHip and you iHop

Sadly, their iced tea brewing dealie was broken, and we were denied its rejuvinating powers. So we went home. And then we slept.

Today was spent on the phone with every car rental place within 100 miles, looking to find a place that both has a full-size van for rent, and also lacks a 25-and-above age restriction. This is an impossible quest, of course, so we’re going to be forced to rent a minivan, which means we’re going to have to cut two people off the tour.

One of these two people is pretty angry, but fuck him. It’s just not possible, and he’s being a jerk.

After a morning on the phone, the afternoon was spent finalizing the two tour CD-R compilations that we’re bringing with us. Most of this was wasted time, as we later discovered that my laptop sound card was distorting the fuck out of everything.

So.

We spent another hour undoing the previous four hours work, and then we were off to Invisible Records to drop it off.

Guns 'n' Rosaries
You eat out of that?STUFF
Change!Psychadelic Nun

We were there for an hour or so (the fridge full of free Red Bull may have contributed to this), and he was kind enough to spend the majority of that time giving me advice on tour management. The man is a fucking wizard.

He asked if Leslie and I could write a story or two for a book that he’s putting together on the music industry. A promoter’s perspective on how-not-to-get-fucked. (Clearly, he’s a poor judge of character.)

Then, a mostly-uneventful walk home (which was filled with tasty italian lemonade), a brief stop at the grocery store, and here we are.

POWER!Lights + Camera = Action

Tomorrow I advance all the venues, and we drive up to South Bend to spend the rest of the week practicing and getting to know the gear. Martin wants me to give him a ring to fill him in on what’s happening with the venues, as he’s just as concerned as I am about the fact that the booking agent is a completely useless douche of colossal proportions. I am afraid of what we will learn.

…but now the time for Demolition Man draws near.

Update: We went with Robocop.

This town needs an enema.

For those of you who will be seeing Cyanotic and Ion tour, here’s a sneak preview of one of the 3 (three!) new compilations we’ve put together for this little outing:

Rabbit Junk – Industrial is Dead (Demo)

( lyrics )

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