I could write a dozen different pieces about The Album That Changed My Life and each would be different, each would be a perfect cross-section of who I was, where I was, and how everything changed. Coil. Front Line Assembly. NWA. Tori Amos. The KLF. Haujobb.
This is about Fixed, by Nine Inch Nails.
I was young. Fourteen? I had a copy of Pretty Hate Machine, the Head Like A Hole single, Broken, and Sin. I loved Broken. It had all of the tearing guitar aggression of The Offspring’s Smash but with a kind of obsessive nihlist production that I had never heard anywhere else.
I remember borrowing Broken from a friend. Picking it up at her house. I remember her roommate’s performative dismissal when she learned what I was borrowing. “Nine Inch Nails? They’re shit now. Past their prime.” It was 1994.
When I heard about Fixed, I thought it would be like the Sin single. Or Head Like A Hole. A few clubby remixes, a few quiet remixes, maybe an extra track.
It wasn’t like that. It wasn’t like anything I had ever heard.
The remixers on Fixed include:
- Butch Vig (Garbage)
- J. G. Thirlwell (Foetus, frequent collaborator of Lydia Lunch and Marc Almond, currently the composer for The Venture Bros)
- Bob Flanagan (Subject of the documentary “SICK: The Life & Death of Bob Flanagan, Supermasochist”)
- Peter Christopherson (Co-founder of Industrial Records, Psychic TV, and Coil)
I had heard albums before that changed the way I thought about music. Albums with sounds on it that I didn’t know it was possible to make. Songs about the personal, the occult, and the psychotic. What I hadn’t heard before was an album where I wasn’t sure that it was music at all. Vocals chopped up and syllables rearranged into a violent glossalia. Songs suddenly crashing in on themselves, reduced to a half-second of guitars and drums looping absurdly on a stuck needle you can’t reach. Walls of noise cutting out to cheery commercials and back in again before you’re sure what it is that’s happening.
I didn’t listen to anything else for at least four months. Likely longer. I played that tape until all of its sharpness was lost and my walkman had been closed so long the rubber seal had started to fuse.
From that album I discovered Coil. Foetus. Industrial Records. Can. Cabaret Voltaire. Swans. William Burroughs. JG Ballard. Godflesh. NEU!. Neubauten. Test Dept. Gary Numan. Ministry. Stockhausen. Killing Joke. Brian Eno.
Everything.
…
Years later, Trent Reznor took some time between winning a Grammy and winning an Oscar to personally say “fuck you” on my Facebook after I said I missed the old Nine Inch Nails sound.
There’s no substitute for that kind of lifetime fan rapport, friends.