Front Line Assembly – AirMech
Front Line Assembly changed my life.
They were the first industrial band I ever heard, way back when a friend gave me a tape of Tactical Neural Implant in 92. I remember putting it in my walkman, hitting play, and listening to Final Impact completely stunned. I had been listening to Guns N’ Roses, Led Zeppelin, and N.W.A — nothing that prepared me at all for what I was hearing. I didn’t know music like that existed. I didn’t even know it was possible to make those kinds of sounds. The same friend clued me in to Delerium, Noise Unit, Intermix, and the rest of the FLA side projects. (Synaesthesia has always been my favourite of those, and their Ephemeral record is one of my desert island disks.)
Tactical Neural Implant was twenty years ago, and FLA’s still releasing albums. They’ve got new blood in the band, and whatever combination of people and equipment it took to make AirMech should probably be flash-frozen and preserved for future generations.
Fair warning: AirMech is completely instrumental. It’s also a video game soundtrack, and not a club record. And, like a lot of FLA records before it, the production is heavily influenced by whatever was blowing up in electronic music when they made it (which in this case is dubstep, so get your haterade ready).
The thing that makes this album amazing isn’t the wubs or the lack of vocals. This album is great because the diversity in the production spans very nearly the entire FLA discography. There are sequences that sound like they could have been taken off of Tactical Neural Implant, next to parts that could have come from lost Delerium or Synaesthesia tapes. There are elements of it that are unmistakably modern, and without any vocals in the mix the electronics shine in a way they aren’t often allowed to.
I don’t know if I’d say that this is FLA’s best record since the classics — I think Artificial Soldier is as good as anything else that got released after Millennium, and it’s hard to compare a heavy club record to a soundtrack — but I’ve been listening to it more than I’ve listened to any other FLA record since the 90s, and I’m not putting it down anytime soon.
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