For Leslie, My First Poorly Translated Review:
Album: International Dark Skies
Yr of the output: 2006
Genre: power rhytm noise
Ad·.ver·.sary – new and sufficiently progressive name on the Canadian industrial scene. Interest in the debyutnoy plate was heated by the fact that on it be present remiksy to such venerable sound effects technicians as Converter, Iszoloscope, Urusai. This fact, of course, excited my musical consciousness. Well yes, can consider that the commercial bait was me with the ease of proglochena. Well and why not?
Album opens composition Friends of Father. Lazy and a little pressing in the plan of the atmosphere, where as a sonic number goes some very gloomy embiyentnyy figure with the impregnation of all possible near-symphonic effects and tools, superimposed to the very sticky and leisurely bit, which in the more uskorenoy version it would be possible to describe, as it breykbit. To the second composition the matter is turned into the higher-speed river bed, where into the force enter the distortirovannye bits and different stuchashche-skrezhetashchiye elements.
If we judge throughout entire material of album, then as impact Heath I will isolate Dresden. The very rhythmical and rigid composition, where the melody assigns the line boring Basov, plus of kaksha of everyone is sonic and vocal semplov in the background.
At the end of the album were arranged three remiksa to the commands named above, and if to be more precisely, then Converter – Cloud’.s Eye (Creeper The mix by Ad·.ver·.sary), Iszoloscope – -.28c and Falling (Winter is Forever The mix by Ad·.ver·.sary), Urusai – Learned Helplessness (Destroy and Contaminate The mix by Ad·.ver·.sary). Everything is healthy and it is executed according to all laws of industrial- noise genre.